The screenplay intercuts between these two storylines in a way that makes it increasingly important to us what will happen when the fugitives arrive in town. He thinks he might be able to make the big time in L.A. He is mightily impressed when two Los Angeles detectives ( Jim Metzler and Earl Billings) fly out to join him.
Bang bang make one false move ludacris movie#
The movie cuts ahead to the town, where we meet a cheerfully ambitious young sheriff, nicknamed “Hurricane” and played by Bill Paxton as the kind of guy who knows everybody in town and has never had to draw a gun in six years. Their original plan is to sell the drugs in Houston, but after they're identified as the fleeing murderers they change course, heading for the small Arkansas town where Williams' Fantasia was born and raised. They're played by Billy Bob Thornton as a violent, insecure red-neck type Cynda Williams as his lover, a black woman obviously deeply wounded in the past, and Michael Beach as the partner, a black man whose wire-rim glasses and impassive reserve conceal a capacity for sudden, cold violence. Three people are involved: two men who have teamed up to steal drugs and money, and the girlfriend of one of them. “One False Move” begins in Los Angeles with a series of brutal murders of people in the drug underworld.
Bang bang make one false move ludacris full#
The movie pays full attention to the dynamics of both groups, the cops and the killers, and then quietly reveals a hidden connection between them - a secret that I will not reveal, because it generates such a moral and emotional force at the end of the film. The second story involves the interaction between a small-town Arkansas sheriff and two tough Los Angeles cops who fly out to join him in a trap for the fugitives. The movie was written by Billy Bob Thornton and Tom Epperson, who begin by telling one story - about three criminals on the run from Los Angeles to Arkansas - and end by telling two.
It's so rare to find a film in which the events are driven by people, not by chases or special effects.Īnd rarer still to find a story that subtly, insidiously gets us involved much more deeply than at first we realize, until at the end we're torn by what happens - by what has to happen.
Yet no words of praise can quite reflect the seductive strength of “One False Move,” which begins as a crime story and ends as a human story in which everything that happens depends on the personalities of the characters.
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